---
title: "Refiner's Journal: Darla Wheatley | Song Refiners"
description: "Songwriting journal entries from Darla Wheatley — studio updates, works in progress, and lessons learned while refining songs."
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# Darla Wheatley's Refiner's Journal

Most recent entries first.

## Refiner's Journal

### In Memory of Lou & Diana

3 days ago 

![In Memory of Lou & Diana](https://jdubmhzpzwxxzlphfucc.supabase.co/storage/v1/object/public/journal-images/f115d92e-b7f3-402f-ad4b-30da770487bb/4cb21bea-1581-4b4e-90ea-bce44a9b1cb8.png)

Turned to Stone Turned to Stone came from my last visit to my parents’ graves on a cold November day. I wanted this song to capture that day as I actually experienced it—the sound of gravel breaking the cemetery silence, frost crunching beneath my feet, the cold against my skin, and standing at their headstone talking to them about everything they had missed. I could still hear their voices and laughter in my memories, and wearing Mom’s rings reminded me that a part of them is always with me. The hardest part was saying goodbye and walking away, knowing that my life has to keep moving even though part of me will always remain there with them. This song isn't simply about losing my parents; it is about continuing to carry their love with me. In Memory of Lou & Diana ❤️🕊️ 

🚀 Released 

Listen to the song Turned To Stone 

4 

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### Circuit Breaker

4 days ago 

![Circuit Breaker](https://jdubmhzpzwxxzlphfucc.supabase.co/storage/v1/object/public/journal-images/f115d92e-b7f3-402f-ad4b-30da770487bb/3bb6b103-8b7e-4dcf-a24e-edebaa715602.png)

Circuit Breaker — Finding My Voice in Grunge I never expected to find myself writing a grunge song, but that has become one of my favorite parts of this songwriting journey. I keep discovering that I don't have to stay inside one genre to tell my stories. Circuit Breaker came from the feeling of being mentally drained by the same routine day after day—working until you're numb, dealing with impossible expectations, and finally reaching the point where something inside you says, enough. This song challenged me to write differently. Grunge didn't need pretty words. It needed frustration, attitude, grit, and imagery that felt as overloaded as the person living it. During the refining process, I learned how much changing only a few lines can strengthen an entire song. “Boss wants voltage / From dead wires” became the line that pulled the electrical theme together and captured exactly what I was trying to say: you can't keep demanding more from someone who has nothing left to give. The final review scored Circuit Breaker 91 overall, with the lyrics reaching 91 and the arrangement 92. What means even more to me is that the review said the lyrics had become tight, consistent, and thematic—and that it was time to lock them as final. So I'm listening. No more revisions. Circuit Breaker is finished. 🔒 And somewhere along the way, I added another genre to this crazy songwriting adventure of mine: Grunge. ⚡🎸 I started this journey wondering whether I could really call myself a songwriter. Now I'm learning that maybe the better question isn't what kind of songwriter am I? Maybe it's simply: What story am I going to tell next? 

💡 Breakthrough 

Listen to the song Circuit Breaker 

2 

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### One Phone Call Away

4 days ago 

![One Phone Call Away](https://jdubmhzpzwxxzlphfucc.supabase.co/storage/v1/object/public/journal-images/f115d92e-b7f3-402f-ad4b-30da770487bb/0cd3bd3e-243f-4957-804e-cf7f0850a1a4.png)

It’s hard to remember a time when Angie wasn’t somewhere in my life. My mom babysat her sisters, so some of my earliest memories have her in them. We grew up together before either of us could have understood how rare it would be to still have each other all these years later. We were those girls making plans for the weekend, skipping study hall and getting ourselves into the kind of harmless trouble that becomes funny when you’re old enough to look back on it. We grew up, and life got a lot more complicated than anything we could have imagined back then. Our friendship hasn’t always been easy. We’ve disagreed. We’ve hurt each other. There have been things said that probably should never have been said and old things dragged back up that should have been left alone. She has worried about choices I’ve made, and I haven’t always wanted to hear it. But somehow, we have always found our way back. Angie started out as my friend, but somewhere along the way she became my sister. Not by blood, but by years. By history. By knowing where I came from and still being here. We live in different states now, and our lives have taken us down different roads. But distance has never really changed what we are to each other. I can pick up the phone, and she’s Angie. I’m me. All those years between then and now are still there. I recently wrote “One Phone Call Away” because of our friendship. But when I think about it, the song is only a small piece of a much bigger story. More than forty years is a lot of life to share with someone. I’m grateful that we did. 

Listen to the song One Phone Call Away 

2 

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### Concrete Halo

5 days ago 

![Concrete Halo](https://jdubmhzpzwxxzlphfucc.supabase.co/storage/v1/object/public/journal-images/f115d92e-b7f3-402f-ad4b-30da770487bb/b8257315-c415-464e-9073-f0a921ee02c6.png)

Concrete Halo — Stepping Into Hip-Hop I never expected to see Hip-Hop listed among the genres in my songwriting catalog, but Concrete Halo changed that. I went into this song completely outside my comfort zone. I wanted to tell the story of a teenage boy growing up surrounded by violence, drugs, incarceration, and the streets—but I didn't want to glorify any of it. I wanted the listener to see the kid underneath it all, especially the moment he finally tries to choose another life. Writing hip-hop forced me to think differently. Every word had to carry weight. Instead of simply saying what was happening, I had to put the listener on the street, inside the concrete cell, and eventually beside a kid wearing a borrowed shirt and tie with a job application in his hand. That line became one of the most important lessons this song taught me: specific details create emotion. With each revision, I learned more about cadence, space, beat drops, vocal dynamics, and how production can become part of the storytelling instead of simply sitting behind the lyrics. Concrete Halo ultimately earned a 92, with a 95/100 genre convention match for Narrative Hip-Hop/Boom-Bap. But the score isn't what I'll remember most. I'll remember starting this song wondering whether I could write hip-hop—and finishing it knowing that I could. Another genre added to my catalog. And another reminder that sometimes the best thing a songwriter can do is walk straight into unfamiliar territory and start writing. 

✍️ Writing 

Listen to the song Concrete Halo 

3 

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### Until I Behold Your Face

12 days ago 

![Until I Behold Your Face](https://jdubmhzpzwxxzlphfucc.supabase.co/storage/v1/object/public/journal-images/f115d92e-b7f3-402f-ad4b-30da770487bb/7d91d50f-02bc-44fb-a564-be1a07ed48a3.jpg)

Today, Until I Behold Your Face joined my 90s Club. This song is especially close to my heart because I wrote it in memory of my family — Lou, Diana, Mike, David, and Pat. It came from that place where grief and love somehow continue to exist side by side, even after so many years. I kept refining it, listening, learning, and going back to the words until the song finally said what I needed it to say. Reaching a score of 90 means a lot, but what means even more is seeing how much I’m growing as a songwriter with every song I write. Keith sent me a message today that really stayed with me. He recognized my commitment to improving my craft and encouraged me to keep pushing my boundaries and writing from the heart. That’s exactly what I intend to do. Every song is teaching me something. Every revision is making me stronger. And every once in a while, I look back at where I started and realize just how far I’ve come. Until I Behold Your Face isn't just another song in the 90s Club. It's another piece of my family's story that gets to live on through music. ❤️ 

Listen to the song Until I Behold Your Face 

5 

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### Come Sit With Me Awhile — A Song Worth Fighting For

18 days ago 

![Come Sit With Me Awhile — A Song Worth Fighting For](https://jdubmhzpzwxxzlphfucc.supabase.co/storage/v1/object/public/journal-images/f115d92e-b7f3-402f-ad4b-30da770487bb/c2c99721-2817-47eb-a930-fa33654c2d43.jpg)

This song is one of the most personal songs I’ve written. It tells the story of the final hours I spent with my dad, intertwined with memories of the summers I spent riding beside him in his truck. We have worked on this song all afternoon, refining individual words, tightening the story, and adjusting the production without changing the heart of what really happened. The latest review scored it an 89, just one point away from the 90s Club. The lyrics scored 92, arrangement 93, and production 90. But for me, this one has become about more than a number. When I listened to the newest version, I cried. That told me something no score ever could. I can still see my dad behind the wheel. I can still remember sitting beside him, talking about my future and dreaming about seeing the world. And I can still remember sitting beside him one last time when he asked me not to let him die alone. I stayed 

✍️ Writing 

Listen to the song Come Sit With Me Awhile 

3 

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### A Thousand Little Moments

21 days ago 

Today was a milestone. A Thousand Little Moments officially joined the 90 Club with a score of 90. This song taught me that sometimes the strongest lyrics aren't the loudest—they're the smallest, most honest moments. Every revision made it a little more personal, a little more visual, and a little more real. I'm grateful for the feedback that pushed me to keep digging. Now it's time to turn the page and start writing the next story. ❤️🎶 

Listen to the song A Thousand Little Moments 

2 

Share 

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